« sensational life »

Unveiling Anna Kavan

webpage,

Devotees of Anna Kavan may well be surprisedùand perhaps a little put offùthat Peter Owen Publishers has brought out another biography of the acclaimed and esoteric author (Asylum Piece, Sleep Has this House, Ice, and Mercury). However, Jeremy Reed's prying book, A Stranger on Earth, has unearthed original material that uncovers a whole lot about someone who went to great lengths to turn herself into an enigma for posterity.

A Stranger on Earth by Jeremy Reed

newspaperArticle, 07/07/2006

On the cover is an old snap of Anna Kavan tinted to make her look like somebody she never could have been. Before colour photography, it was a profession: tinting photographs, flattering the sitter. If it was the novelist herself who agreed to this enhanced Anna, then the picture is probably a witness to another of her attempts to be just like everybody else, and that is painful.

Bottle blonde

magazineArticle, 04/07/2009

When the unconventional Anna Kavan came to 1940s New Zealand, she cast a cool eye on its inhabitants.

Anna Kavan Symposium

webpage, 11/09/2014

A one-day symposium at the Institute of English Studies in association with Liverpool John Moores University Research Centre for Literature and Cultural History and Peter Owen Publishers.

Anna Kavan, 'Julia and the Bazooka': a critique

blogPost, 15/12/2013

Writers such as Brian Aldiss and J.G. Ballard have praised the writings of Anna Kavan, but I find her work uneven – I couldn’t get beyond the first few pages of self-indulgent, rambling dream visions in Sleep Has His House, first published in 1948. Julia and the Bazooka is also uneven, but serves as a good introduction to the qualities (and weaknesses) of Kavan’s fiction.

Anna Kavan

webpage,

‘I was about to become the world’s best kept secret; one that would never be told. What a thrilling enigma for posterity I should be.’ Thus does one of Anna Kavan’s characters describe herself in an unpublished short story, and we know that, as in much of Kavan’s writing, she was describing herself. An enigma the author remains, but her talent was none the less remarkable, and her works have been compared to that of Doris Lessing, Virginia Woolf and Franz Kafka and acclaimed by writers from Anaïs Nin to J.B. Ballard.

Kafka's sister

magazineArticle, 31/07/2010

Fuelled by heroin and self-exploration, Anna Kavan's underground Kafka-esque novels penetrated the human psyche in a manner that distrubed even JG Ballard.

Portrait of the Artist as the Books He’s Loved

blogPost, 11/10/2011

My first encounter with Anna Kavan came via an image found trawling through a friend’s flicker page. There is a lovely group of really wonderful women I have met online via my obsession with the 60s & 70s films of the fantastique, and “Oola” is one acquaintance I was particularly bewitched by. She seemed to have impeccable taste and a wonderfully exciting life (from what I could see of it online), so the combination of my experience with the owner of the book and the cover of the book itself, I immediately requested the book from inter-library-loan (at the time, Kavan’s Julia and the Bazooka was out of print).

Anna Kavan : brilliant like ice

blogPost, 29/09/2011

Her descriptions burned so brightly when I first began reading the work of Anna Kavan that I felt a kinship with her almost at once. I have sometimes wandered past her last home in Peel Street, London, in pilgrimage. The novels and memoirs stand on my shelves: I came across Ice first, then Asylum Piece and My Madness, then Let me Alone, Julia and the Bazooka with its 1960s hip bohemianism, and Sleep Has His House.

Anna Kavan, Asylum piece, 1940

blogPost, 16/09/2009

A l’origine, la photo d’une femme au visage serein, souriant… Derrière laquelle se cache un monde asilaire, une femme glaciaire, lointaine, un écrivain hors du commun.

Anna Kavan and libraries

blogPost, 14/06/2009

I love the way with libraries you go in there, drift around and often seem to arrive, as if with a sense of predestination, before a book. This book, once you pick it up - there’s something almost magnetic happening here - now opens at a particular page. It is all random - or else it is the magic which accrues to the long time searcher and reader. This happened to me yesterday. I was browsing in the Auckland Public Library heritage room. I saw a book called Anna Kavan’s New Zealand. I picked it up, the book fell open and immediately I spied the word Napier.

Amongst those left: the british experimental novel 1940-1980

book, 2012

None

Neige, de Anna Kavan

blogPost, 11/10/2013

Bon, donc, séance de rattrapage, sur qui sur quoi ? Là, en commençant mon article, je ne savais même pas, et puis finalement j’ai décidé de parler de Neige, de Anna Kavan, paru aux éditions Cambourakis il y a peu.

Ice-maiden stung by a spider: 'Change the Name'

newspaperArticle, 05/06/1993

ANNA KAVAN wrote quite a few novels, some under her own real name. She is better known in Europe, but if her reputation here is still small it is secure and growing. The nets of mystification she wove about herself have frayed a little, but her intention that her life should not be known frustrates biographers.

Two Halves: Unica Zürn. Affinities, Women Artists & Hybrid Forms.

magazineArticle, 12/02/2013

It Is Almost That: A Collection of Image+Text Work by Women Artists & Writers includes twenty-six works that do not fit neatly in any category and thus, because they are unwieldy, uncontainable, and inimitable are often relegated to the margins, or known by one world but not another. One of my ambitions in editing this book (read the complete editor’s afterword here) was to make space for those artists and writers who have been under-recognized or slotted into a category that doesn’t allow for a full reading of their work.

Anna Kavan's New Zealand

blogPost, 30/09/2009

Come along and hear Jennifer Sturm, author of Anna Kavan’s New Zealand, talk about Anna Kavan, an experimental writer and talented artist, who struggled with bouts of depression and insecurity, as well as heroin addiction and a stream of unconventional love affairs.

Outside the asylum of her mind

newspaperArticle, 25/06/2006

Since we often hear complaints about the puerile state of current publishing, it is as well to remind oneself that exceptional work has often had a hard time of it in Britain. Henry James struggled to sell his greatest novels. James Joyce was published in Paris. Ronald Firbank paid for his own publication. D H Lawrence was reviled. But because literature is about extending reality, not repeating it, there is some law of creativity which guarantees that the exceptional is what survives. So perhaps it is no wonder that the esoteric and beautiful writing of Anna Kavan refuses to go away - but it has been a near thing.

Livres de Noël : la Neige hallucinatoire d’Anna Kavan

blogPost, 06/12/2013

l’approche des fêtes, Lyon Capitale vous propose chaque jour jusqu’à Noël sa sélection dans les vitrines des libraires. Aujourd’hui, un roman d’Anna Kavan qui nous revient des années 1970.

La corte gay di Anna Kavan

blogPost, 14/02/2013

Nata a Cannes quasi per casa, ma cresciuta in Inghilterra ed in America, Anna Kavan ebbe un’infanzia solitaria, agiata ma profondamente infelice, contrassegnata da un rapporto difficilissimo con la ricchissima madre e dal suicidio dell’amatissimo padre. I suoi matrimoni, ben due, furono fallimentari, la sua dipendenza della morfina una costante di tutta la sua vita. Umanamente la sua predilezione, quando si trattava di stringere nuove amicizie, era per gli omosessuali.

The Mysterious Anna Kavan

blogPost, 08/01/2006

’ve been reading Anna Kavan’s Asylum Piece. It’s a stunning collection, each story stranger and more intense than the last.

Anna Kavan (1901-1968)

blogPost, 04/09/2007

Anna Kavan was born "Helen Woods" in Cannes, France on April 10, 1901 to wealthy expatriot British parents. Anna spent her childhood in several European countries, California and England. She completed her education in England. She married (Donald Ferguson) and for a time lived in Burma.

Uncovering a real gem

newspaperArticle, 11/07/2009

Anna Kavan's New Zealand is a modest looking book which holds within it a kind of time-bomb. The explosiveness relates to Kavan's strangely powerful, even hypnotic talent. Kavan was a bottle blonde who washed up in New Zealand at that most dangerous of hours - 1942.

Anna Kavan, la ciencia ficcion extrana y alucinada : Hielo

blogPost, 28/10/2008

Conocí Hielo, de Anna Kavan, porque soy aficionada a la ciencia ficción y estaba preparando una Bibliografía de escritoras del género. Alguien me recomendó la novela, como uno de esos ejemplos en que una autora no especializada en CF hace una incursión en esa literatura que -tanto respecto a los autores como al público aficionado- tiene mucho de ghetto.

Anna Kavan’s Nocturnal Language

blogPost, 19/10/08

work & life

What's the Story: Reading Anna Kavan's Ice

journalArticle,

Anna Kavan's Ice is a novel of relentless, evanescent beauty that depicts a world in which two explicitly linked forms of violence dominate and inexorably and insanely destroy it. First published in 1967, on the eve of the second wave of feminism, Ice has never been regarded as a significant work of proto-feminist literature, although scholars occasionally include it on lists of sf by women written before the major works of feminist sf burst onto the scene in the 1970s.

Anna Kavan

forumPost, 19/03/14

Je viens d' apprendre - et c' est aussi pour cela que j' ai décidé de lui faire une place ici- que le merveilleux éditeur Cambourakis, spécialiste des rééditions qui s' imposent ou encore de livres vraiment originaux, était en train de la rééditer. Qu' il soit ici remercié !

Neige, d’Anna Kavan

blogPost, 20/11/2013

La britannique Anna Kavan fait partie des écrivains qui se sont forgé un personnage, un masque, une façade qui est devenue partie intégrante de leur œuvre – ce n’est pas pour rien si en 1939 elle fait rayer de l’État civil son nom de baptême pour adopter l’identité de l’un de ses personnages.

Anna Kavan – a unique modernist vision

blogPost, 2013

It’s not quite correct to say that Anna Kavan has been forgotten. Her books are kept in print out of sheer dedication by her publisher, Peter Owen. My colleague at the University of East Anglia, Karen Schaller, teaches her novel Ice on her course Fiction After Modernism. And a recent paean to this same novel appeared in the Guardian.

AK (bis) / Obsessionnel.

blogPost, 04/07/2012

Les six pages signées Anna Kavan sortent de nulle part. Aucune trace dans les recueils traduits ou les rares articles consacrés à l'écrivaine anglaise, à peine connue de quelques lecteurs français, les moindres n'étant pas Viviane Forrester, Claire Malroux ou Christine Jordis, talentueuses passeuses.